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Vermillion$90021$ - перевод на испанский
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Ex: For red ink the usual colour was ground vermilion (i.e. red mercuric sulphide).
 male, Pantanal, Brazil 2.jpg?width=200 "Vermilion flycatcher (male)")
![The Venetian painter [[Titian]] used vermilion for dramatic effect. In the ''Assumption of the Virgin'' (1516–18), the vermilion robes draw the eye to the main characters.](https://commons.wikimedia.org/wiki/Special:FilePath/Tizian 041.jpg?width=200 "The Venetian painter [[Titian]] used vermilion for dramatic effect. In the ''Assumption of the Virgin'' (1516–18), the vermilion robes draw the eye to the main characters.")
![Almaden Mine]] in northern California](https://commons.wikimedia.org/wiki/Special:FilePath/Cinnabar-172403.jpg?width=200 "Almaden Mine]] in northern California")
![dolomite]] from [[Tongren Prefecture]], [[Guizhou]], China](https://commons.wikimedia.org/wiki/Special:FilePath/Cinnabar-3d6b.jpg?width=200 "dolomite]] from [[Tongren Prefecture]], [[Guizhou]], China")
![Vermilion has the property of darkening with time. The bridle of the horse in ''The Battle of San Romano'' by [[Paolo Uccello]] in the National Gallery in London has turned from red to dark brown.](https://commons.wikimedia.org/wiki/Special:FilePath/Paolo Uccello 035.jpg?width=200 "Vermilion has the property of darkening with time. The bridle of the horse in ''The Battle of San Romano'' by [[Paolo Uccello]] in the National Gallery in London has turned from red to dark brown.")
![The first documented use of cinnabar or vermilion pigment was found at the neolithic village of [[Çatalhöyük]] in modern-day Turkey. This mural, from 7000 to 8000 BC, shows [[aurochs]], a deer, and humans. (Museum of Anatolian Civilizations, Ankara)](https://commons.wikimedia.org/wiki/Special:FilePath/Museum of Anatolian Civilizations003.jpg?width=200 "The first documented use of cinnabar or vermilion pigment was found at the neolithic village of [[Çatalhöyük]] in modern-day Turkey. This mural, from 7000 to 8000 BC, shows [[aurochs]], a deer, and humans. (Museum of Anatolian Civilizations, Ankara)")
![The first documented use of cinnabar, or vermilion, for decorating pottery in China dates to the [[Yangshao culture]] (5000–4000 BC). This bowl is from Banpo Village, [[Shaanxi]], China.](https://commons.wikimedia.org/wiki/Special:FilePath/Banpo bowl.jpg?width=200 "The first documented use of cinnabar, or vermilion, for decorating pottery in China dates to the [[Yangshao culture]] (5000–4000 BC). This bowl is from Banpo Village, [[Shaanxi]], China.")
![The [[Villa of the Mysteries]] in [[Pompeii]] was a showcase for the expensive vermilion pigment made from ground cinnabar.](https://commons.wikimedia.org/wiki/Special:FilePath/Villa Mystery fresco.jpg?width=200 "The [[Villa of the Mysteries]] in [[Pompeii]] was a showcase for the expensive vermilion pigment made from ground cinnabar.")
![Maya]] rulers were sometimes painted with cinnabar, and in the [[Tomb of the Red Queen]] in [[Palenque]] (600–700 AD), the remains of a noblewoman were covered with bright vermilion cinnabar powder.](https://commons.wikimedia.org/wiki/Special:FilePath/Palenque-ausgrab.jpg?width=200 "Maya]] rulers were sometimes painted with cinnabar, and in the [[Tomb of the Red Queen]] in [[Palenque]] (600–700 AD), the remains of a noblewoman were covered with bright vermilion cinnabar powder.")
![A lacquerware tray from the [[Song dynasty]], 960-1279 (Freer and Sackler Galleries, Washington, DC)](https://commons.wikimedia.org/wiki/Special:FilePath/Red lacquer tray, Song Dynasty.jpg?width=200 "A lacquerware tray from the [[Song dynasty]], 960-1279 (Freer and Sackler Galleries, Washington, DC)")
![A lacquerware dish from the [[Ming dynasty]], late 15th to mid-16th century (Freer and Sackler Galleries, Washington, DC)](https://commons.wikimedia.org/wiki/Special:FilePath/Red lacquerware dish, Ming Dynasty.jpg?width=200 "A lacquerware dish from the [[Ming dynasty]], late 15th to mid-16th century (Freer and Sackler Galleries, Washington, DC)")
![The main gate of the [[Shaolin Monastery]] in Dengfeng, Henan is painted vermilion or Chinese red.](https://commons.wikimedia.org/wiki/Special:FilePath/Shaolinsi.JPG?width=200 "The main gate of the [[Shaolin Monastery]] in Dengfeng, Henan is painted vermilion or Chinese red.")
![Vermilion columns in the throne room in the [[Palace of Heavenly Purity]] in the [[Forbidden City]] of Beijing](https://commons.wikimedia.org/wiki/Special:FilePath/Forbidden City August 2012 28.JPG?width=200 "Vermilion columns in the throne room in the [[Palace of Heavenly Purity]] in the [[Forbidden City]] of Beijing")
![The bright vermilion murals in the Villa of Mysteries in [[Pompeii]] (before 79 AD) were painted with ground and powdered [[cinnabar]], the most expensive red pigment of the time.](https://commons.wikimedia.org/wiki/Special:FilePath/Villa of Mysteries (Pompeii)-20.jpg?width=200 "The bright vermilion murals in the Villa of Mysteries in [[Pompeii]] (before 79 AD) were painted with ground and powdered [[cinnabar]], the most expensive red pigment of the time.")
.jpg?width=200 "A page of the Roman de Girart de Roussillon (1450). Both vermilion and minium, or red lead, were used in Medieval manuscripts. Vermilion, as expensive as gilding, was usually reserved for the most important illustrations or designs.")
![[[Theyyam]] of [[Kerala]]](https://commons.wikimedia.org/wiki/Special:FilePath/Theyyam make-up002.jpg?width=200 "[[Theyyam]] of [[Kerala]]")
Определение
Википедия
Vermilion Sands is a collection of science fiction short stories by British writer J. G. Ballard, first published in 1971. All the stories are set in an imaginary vacation resort called Vermilion Sands which suggests, among other places, Palm Springs in southern California. The characters are generally the wealthy and disaffected, or people who make a living off them, as well as parasites of various kinds.
In the preface, Ballard himself wrote: "Vermilion Sands has more than its full share of dreams and illusions, fears and fantasies, but the frame for them is less confining. I like to think, too, that it celebrates the neglected virtues of the glossy, lurid and bizarre."
A Times Literary Supplement review describes the collection's surrealist mood : "J.G. Ballard is … one of the most accomplished creators of evocative landscapes in modern fiction … he achieves this effect partly by painting his desert in the manner of Dali, a mixture of appalling clarity and the exotic."
